What The Funeral Director Whispered, And The Part Of My Father I Found In A Place Delphine Never Thought To Look

The attorney had arrived. That was what the funeral director whispered. My father’s estate attorney, Gideon Marsh, was waiting in the anteroom and needed to speak with the family before the reception, because there was a time-sensitive matter regarding the will.

Delphine had been operating for six years on the assumption that she knew what the will contained, because she had been present when my father revised it four years into their marriage, and she had seen her name on the document at that time. What she had not known, because my father had not told her, was that he had revised it again eleven months before he died, during a week she spent at a spa in Scottsdale that he had paid for and apparently used the time wisely.

The lake house was gone, sold years earlier, and nothing could undo that. But the childhood home, which Delphine had redecorated into something neither my brother nor I recognized, had been placed into a trust for my brother and me, with a life estate for Delphine meaning she could live there until she chose to leave or remarried, but could not sell it, renovate it further, or borrow against it. The remainder of the liquid estate was split evenly three ways. Not the arrangement Delphine had described to her friends.

She did not make a scene at the funeral. I will give her that. She sat through the rest of the reception with a stillness that was different from grief, the stillness of someone recalculating. She left before the food was cleared.

What I want to tell you about is not the will. It is what my brother found two months later when we were going through my father’s desk in the study, the room Delphine had redecorated in a modern style my father had never once chosen for himself in seventy-eight years of living. In the back of the bottom drawer, behind a hanging file, was a manila envelope with my mother’s handwriting on it. Her name, his name, the date of their first anniversary. Inside were letters, forty years of them, every one he had written to her on their anniversary and never sent because he read them to her instead, and kept the written copies because he said the paper made it permanent.

Delphine had redecorated everything else. She had not found that drawer.

My father had loved my mother for forty years and kept the evidence in a desk no one thought to open. He had made choices in his last years that I do not fully understand and have stopped trying to explain. But the letters were there, and the trust was there, and at the end he had arranged things as carefully as a man can arrange them when he knows time is running short and some mistakes cannot be undone, only accounted for.

Delphine moved out eight months later. She did not remarry quickly. The house is ours now, and we have not redecorated it back. We left one room as she had it, because it is still beautiful and because holding onto anger about wallpaper seemed smaller than what my father’s letters deserved.

Adrian Vale
Adrian Vale studied English literature. He is a novelist. He writes atmospheric literary fiction, quiet, character-driven stories about people who drift out of their own lives and the strange, lingering things that find them afterward.

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