Ten Years Of Being The Temporary Daughter With The Little Shop That Somebody Always Assumed Would Close

Callahan’s was not grimy. It was warm, and half full, and the woman I sat down across from at the corner booth was already waiting for me, because our dinner had been scheduled for three weeks. Her name was Odile Vance, and she was the features editor of the regional magazine my mother reads at the salon, the one with the thick paper my mother admires. She was there to interview me. My “little bookstore” had, over ten quiet years, become the highest-grossing independent bookshop in the state, host to a national author series, and the subject of a cover story that had already been laid out and printed. The photographer arrived twenty minutes in to shoot me at the booth, because Odile wanted the pub, wanted the brick, wanted the neon. It was, she said, exactly my style.

Bianca saw the camera through the rain-streaked window first. Then she saw Odile, whom she had been trying to book for the shower’s coverage for two months and had been politely declined. Then she saw the light on my face and understood, with the particular horror of someone whose entire currency is being seen, that the sister she had sent across the street was the story.

The cover ran in October. My mother saw it at the salon, from a stranger, before she saw it from me. She telephoned that night and for the first time in a decade she did not use the word temporary. I let her talk. I did not perform forgiveness and I did not perform a grudge. I simply told her the shop had never been a phase, that it had been my whole life while she was busy admiring someone else’s driveway.

Bianca had the baby in the winter. She invited me. There was a chair with my name on it, hand-lettered, placed there by her, and I went, and I held my niece, and I have decided that is enough.

The shop is opening a second location in the spring. My mother asked to help with the ribbon. I said yes.

They looked at a modest dress and a small gift bag and decided I was the family’s rounding error, the woman who belonged in the grimy place across the street. I had spent ten years building something real while they measured me against Pilates and board meetings. I never needed their table. I had already built one people were lining up to photograph, and the night they sent me out into the rain was the night I stopped waiting to be seated at theirs.

Adrian Vale
Adrian Vale studied English literature. He is a novelist. He writes atmospheric literary fiction, quiet, character-driven stories about people who drift out of their own lives and the strange, lingering things that find them afterward.

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